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Album 09 - Moore Music Cover Art in Color as shown on the Reeves Motal Piano and Synthesizer Music Website

Nope - it's not a misspelling - the "Moore" is correct. This album and the next are dedicated to my long suffering friends Jan and Richard Moore that have had eight previous CD's of my songs inflicted on them. (Don't tell Geneva - I've got enough problems without facing war crimes and human rights violations!) Amazingly, they are still seemingly sane, (even if they are my friends!)

Without their encouragement, (See Album 1,) it's doubtful that all of this would ever have happened. Thanks, Jan and Richard!

I gave Jan and Richard a list of songs I had in inventory and asked them to pick out some for these two albums. I limited them to about 20 selections so the songs would fit on a pair of CD's. I then added a few extra songs to fill up the left over space.

A few notes about the songs on this one. I've been experimenting with a lot of different sounds. For example, there was no way a piano alone could capture the dynamic power of Justin Hayward's vocal on Nights in White Satin - so - what you are actually hearing is a digital Tuba punched up multiple octaves into an impossible range for a deep bass instrument dueting with Mr. Steinway.

I wanted to try something different with a little more edgy resonance and particularly more sustain for Glenn Frey's vocal on Tequila Sunrise. After a lot of experimentation, what you are hearing is Mr. Steinway singing as usual, but with a lot of digital envelope shaping. It's maybe a little quirky, but hopefully you'll find it grows on you like it has on me.

I originally intended Glenn Miller's classic In the Mood to be a straight Big Band arrangement. Seemed way too easy - and too much like his version. So - since everything starts on a keyboard, I just left it as nothing but a lot of pianos and percussion - even the bass is a piano way down low.

Mr. Steinway demanded I include Same Old Lang Syne. What could I do? He's really pitiful when he gets his feelings hurt.

Reeves

PS The album photo of the Bixby Creek Bridge on Highway 1 on the Big Sur Coast was selected for Richard as he's a California native. I took it on a three week trip driving around the northern part of the state ranging from Big Sur then north to Mendocino and finally back south through Sonoma and Napa Wine Country. If you have never driven California's Highway 1 it definitely belongs on your bucket list.

Click here to view and download the Black and White Album Cover from the Reeves Motal Piano and Synthesizer Music Website

Click here to view and download the Full Color Album Cover from the Reeves Motal Piano and Synthesizer Music Website

Click on the song description below to go to the song's page for more details .

Click the media player arrow to play the excerpt.

Track 1 - 0187 Roll Over Beethoven

Track 2 - 0188 Nights in White Satin

Track 3 - 0189 In the Mood

Track 4 - 0190 Tequila Sunrise

Track 5 - 0191 American Woman

Track 6 - 0192 Love Will Keep Us Alive

Track 7 - 0193 Margaritaville

Track 8 - 0194 Ventura Highway

Track 9 - 0195 East Bound and Down

Track 10 - 0196 Surfer Girl

Track 11 - 0197 There's a Kind of Hush

Track 12 - 0198 Desperado

Track 13 - 0199 Pipeline

Track 14 - 0200 Wasted Days and Wasted Nights

Track 15 - 0201 Malaguena

Track 16 - 0202 Let's Go

Track 17 - 0203 Way We Were

Track 18 - 0204 Holding Out for a Hero

Track 19 - 0205 What a Wonderful World

Track 20 - 0206 Same Old Lang Syne

Track 21 - 0207 You Are So Beautiful

Track 22 - 0208 Xanadu

Click here to go to the Previous Album Page - Album 02 - Legacy of a Misspent Youth of the Reeves Motal Piano and Synthesizer Music Website Click here to go back to the Albums Home Page of the Reeves Motal Piano and Synthesizer Music Website Click here to go to the Next Album Page - Album 04 - Opening and Closing of the Reeves Motal Piano and Synthesizer Music Website

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Last Updated: Friday, December 23, 2022, 9:17:20 AM CST